Artist
Statement
I create digital photographic scenarios that, although
artificially constructed, appear to portray specific
moments in time. By combining disparate elements, I
create narrative possibilities and allegories that appear
vaguely familiar and produce numerous associations.
I hope to seduce viewers into letting their experience,
imagination, and understanding of existing popular narratives
create their own interpretations of my images.
My
images are composites of multiple image fragments that
have been digitally manipulated and combined. I use
images that I have photographed myself as well as images
I've found. By outputting my images onto photographic
negative film and then printing and toning them conventionally,
I obtain archival prints and a photographic quality
that oppose the general expectations of computer-manipulated
imagery. This creates a deceptive sense of familiarity
and nostalgia and emphasizes further the characteristic
of photography to provide evidence. It contributes to
factual and informational content, which further influence
the viewer to approach, on an imaginary level, my scenarios
as real and perceive my characters as actual beings.
Fascinated
with the enigma of abnormality, I combine parts of different
faces and bodies to create characters with peculiar
appearances. I look for physical expressions that reveal
a sense of truth about my character's state of mind
and being. I often create children and adolescents because
they exist in a state of disingenuous grace and innocence
that evokes compassion and sympathy in the viewer. In
my images, I take the idealistic image of youth and
corrupt it by putting children and adolescents in discomforting
situations. I want to create a conflict between our
inherited precepts of right and wrong in order to cause
a disturbance in the viewer and provoke a dialogue with
his/her conscience.
I
prefer to work intuitively; the final image is never
planned. I feel that the true power of an image emerges
when it is allowed to develop on its own. This means
that I do not overtly conceptualize or plan my images.
I allow myself to change them constantly by adding and
subtracting elements, thus keeping the image in a state
of flux. Working with digital photography in this way
allows me to re-work the image until I have achieved
the type of narrative moment that I'm looking for. Making
these images is a kind of automatic writing, the feedback
of my consciousness.
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